White Nylon on Rocktails


Desde Los Ángeles, el proyecto pop solista Dakota Blue lanza su último single y lo describe como “la banda sonora para escapar en el auto, un himno para los trastornados”. Su dark pop queda al descubierto en los primeros segundos de la canción.Como una especie de suspense en forma musical, las tensiones son tan necesarias como los golpes de efecto. En este caso, el artista logra que esos momentos se mantengan para dar fuerza en forma de impulso en el momento justo."



New single White Nylon premiered today on Buzzbands LA


Kevin Bronson says: 
Dakota Blue’s loner pop casts alternately wry and earnest eyes at the tightrope act of living in Los Angeles. -  “White Nylon” is steeped in noirish cool. “An indie rock anthem for the deranged, a paranoid soundtrack for the getaway car,” Blue says. And, we might add: The perpetrators have succeeded in losing themselves in the crowd, leaving no fingerprints.

Colossus video out now - premiere

For the Rabbits has this to say: 

Colossus is a darker, more downbeat piece, Dakota’s always impressive voice is to the fore, accompanied initially by minimal pulses of synth and the lightest touch of processed percussion. Latterly it subtly swells as additional vocals and distant strings enter; getting thicker and denser without ever going towards any sort of clichéd crescendo.

The accompanying visuals, seem to take bright imagery, and suck the colour from them, mirroring the tracks low-key subtlety. It’s a simple but hugely effective trick; which is a rather neat summation of Dakota Blue, an artist finding the beauty in the everyday and almost mundane: making real life sound this intriguing is a hugely impressive accomplishment.




BOLO video premiere


Third Coast says:

"a picture of surreal isolation, rife with a subtle sense of foreboding—but more than that, the song is a sultry stunner.

"Bolo" begins with rolling percussion, reminiscent of that Western classic "Rawhide," before being joined by spare guitars and Dakota Blue's hesitant croon. The accompanying video follows the artist as he traipses (sometimes backwards) through empty industrial neighborhoods. We linger over his shadow stretching across the pavement, the footage becoming slightly distorted as it moves into shots of abandoned factories. He wanders these landscapes as a lone observer, like an astronaut exploring the deserted cities of a parallel earth—an effect that's heightened by the use of disorienting overlaid shots. Paired with Dakota Blue's simmering, understated sound, "Bolo" plays like film noir, teasing what promises to be a mesmerizing LP.